“We’re increasingly constrained by computers and a pixelated abridgement of reality that serves only to make us blind to the truly infinite complexity of the nature world. Most critically, our physical movements have been almost entirely removed as a factor in our own existence. Now all we seem to do is press buttons.” Alexander Langlands (review by Gracy Olmstead)
My friend and I were at the fabric store–a place we haunt when we don’t go to a coffee house for tea. Our meeting places most often involve tea and/or fabric and sometimes food, over which we discuss our lives–husbands, kids, grandkids, other friends (in a non-gossipy way), current events–and our perceptions of the workings of God in our circumference.
Sometimes we even discuss our crafting–and what it means to us.
Pieces of us stitched together to pass along to others or enjoy ourselves.
Crafting takes time. Investing time in a project teaches us diligence and patience. There is no such thing as instant gratification when you are handcrafting something.
Time and craft add meaning to the final products.
And time, craft, and meaning add value–to a point of pricelessness–for something handcrafted matches nothing else. It is unique, the only one of its kind.
In his book, Langlands quotes a definition of craft (from the ancient term craeft)–“the organizing principle of the individual’s capacity to follow a moral and mental life.”
To craft is to contemplate–to plan and work the plan. And the contemplative life, Aristotle said, is the only kind of life that can be happy.
As Olmstead asserts in her review of Langlands’ book Craeft: An Inquiry into the Origins and True Meaning of Traditional Crafts (now on my Goodreads’ “to read” list) balance is the key today. It’s what Aristotle called the Golden Mean–the balance of a virtue between its excess and its deficiency.
From Olmstead’s review: “Langlands argues for a revival of cræft throughout this book, as a response to the toll that industrialization and consumptive living has taken on our world. Who knows whether slower, more laborious rituals will become a godsend to our broken world in future years?”
Who knows? One does. And godsend? Indeed.
The ultimate Crafter/Creator who gave us time, thought, and art.
Slow, laborious work can be a rite of contemplation as we ponder him and his power to make beauty through work. As we see our work become beautiful over time. As we see ourselves as his image–imago Dei. And as we find ourselves anew by emulating his creative ways.
Here’s to time spent happily crafting.
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